35mm no more ...

I talked to Tisch's resident 35mm expert and Camera I instructor - he said that I'd be better served "taking your money, walking over to the East River and chucking it in." He doesn't think shooting a color sync project in 35mm is a good idea. From the explanation of costs and logistics, I'm inclined to agree. I think what I'll do instead is just rent lenses for the color sync 16mm rig and make transporting the equipment and such a ton easier. At any rate, this project will move forward, and I will kick the shit outta this class. Why? Because I'm just that good.

Now, all I have to do is convince others of the same thing.